fromanger@rembrandtbugatti.info
Uzès Exposition : Carlo, Ettore, Rembrandt Bugatti
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Exposition Academy Art Museum:Bugatti-Reaching for perfection
Toute une vie avec Bugatti: Alain Delon 1935-2024: en 2016 la journaliste Valérie du Figaro lui demande : "vous auriez aimé le rencontrer?" Alain Delon lui répond avec émotion en retenant son souffle: "ouf....j'aurais été son objet, son serviteur, saurait été formidable il y a tout chez Bugatti, toute la vie, tous les sentiments sont dans ses oeuvres, j'ai envie de les embrasser comme un fou" A whole life with Bugatti: Alain Delon 1935-2024: in 2016 the journalist Valérie from Le Figaro asked him: "would you have liked to meet him?" Alain Delon answered her with emotion, holding his breath: "phew....I would have been his object, his servant, it would have been great there is everything in Bugatti, all life, all feelings are in his works, I want to kiss them like crazy"
Le Lion dévorant de Rembrandt Bugatti
Bugatti et les musées américains
Bugatti aime tous les oiseaux: les Cigognes, les Flamants, Les Marabouts, les Jabirus, les Pélicans, les Vautours, les Condors
Éléphants "Il y arrivera" et "mendiant"
De 1979 à 2024, la collection Alain Delon. Que peut-on dire d'un homme comme lui? Dans le monde entier Alain Delon est une icône, déjà une légende, une image étincelante, charnelle, sauvage.Mais, derrière les mots et les images, il n'y a plus qu'un artiste solitaire dont la sensibilité à fleur de peau est extrême. Collectionner les oeuvres d'art fut toujours pour lui un mode d'expression vital.Sa rencontre avec Rembrandt Bugatti était inévitable. From 1979 to 2024, the Alain Delon collection. What can we say about this man? Worldwide Alain Delon is an icon, already a legend, a sparkling, carnal, wild image. But behind the words and the images there is only one solitary man, an artist whose sensitivity is extreme. Collecting works of art is for him a vital mode of expression. His meeting with Rembrandt Bugatti was inevitable.
Ritorno dal pascolo, Milan 1901
Berlin 2014 exposition rétrospective Alte Nationalgalerie
Thin 1980, Jean-Marie Desbordes inherited the collections of his godmother, Ébé Bugatti. Iris and Jean-Marie Desbordes, both teachers, had devoted their lives to the education of children. Thanks to their extreme generosity, Rembrandt Bugatti's works were given to the Réunion des musées nationaux or RMN (the public institution in charge of France's thirty-four national museums). Their donation, the only one of its kind in the world, would not have been possible without Anne Pingeot, curator of the department of sculpture at the Musée d'Orsay, whose help was invaluable. As the collection had been kept for years in a damp cellar, the plasters were subject to extensive restoration and reconstruction. Some were then given to modern art museums or those with collections of animalier art. The Musée d'Orsay retained approximately thirty plasters.
